Course Grid 2024-25
Fall 2024
Fall 2024 Course Grid
| BLOCK 1 | BLOCK 2 | BLOCK 3 | BLOCK 4 | J BLOCK | |
| SCOTT KRZYCH (All PM unless otherwise noted) |
FM 301: Advanced Media Theory & Research Methods |
FM 101: Introduction to Film Studies Analysis & Interpretation of Meaning |
FM 200: Topics in Genre, History & Theory: Politics & Comedy (with Elizabeth Coggins of Political Science) |
||
| DYLAN NELSON (All AM) | CC 100 Film Manifestos/Filmmaking (First Year Program) Creative Process | FM 312: Documentary Form & Filmmaking | FM 310: Advanced Topics in Filmmaking: Creative Documentary Form | ||
| BARAN GERMEN (All PM unless otherwise noted) |
CC 100: New Media Publics and Social Movements (First Year Program) Analysis & Interpretation of Meaning |
FM 200/310: Topics in Genre, History & Theory/Advanced Topics in Filmmaking: Horror (taught with Arom Choi) | FM 401: Senior Thesis (Critical) | ||
| AROM CHOI (All AM) | FM 230: Storytelling through Sound Creative Process | FM 200/310: Topics in Genre, History & Theory/Advanced Topics in Filmmaking: Horror (taught with Baran Germen) | FM 102: Basic Filmmaking Creative Process | ||
| JORDAN LORD |
FM 210: Topics in Filmmaking: Unworking Ableism: Art, Film and Social Life Equity and Power US; Equity and Power Global; Creative Process |
FM 102: Basic Filmmaking Creative Process | CC 120: Being an Audience (First Year Program) | ||
| BLOCK VISITORS | FM 245: Technical Practicum in Film and Medis Studies: Shooting on Set Madison Powell & Skye Mahaffie | ||||
| FM 205 ELECTIVE CROSS-LISTED COURSES |
FM 205: Critical Media Studies Heidi R. Lewis |
||||
| FM 205 ELECTIVE CROSS-LISTED COURSES |
Spring 2025
Spring 2025 Course Grid| BLOCK 5 | BLOCK 6 | BLOCK 7 | BLOCK 8 | |
| SCOTT KRZYCH (All PM unless otherwise noted) | FM 401: Senior Thesis ( Critical) | Associate Chair Release Block | FM 200: Topics in Genre, History, & Theory: New York: Politics, Film, Culture (taught in NYC; course fee required ) | |
| DYLAN NELSON (All AM) | FM 400: Independent Film, Filmmaking, and the Sundance Film Festival | FM 402: Senior Thesis ( Creative) | Chair Release Block | |
| BARAN GERMEN (All PM unless otherwise noted) | FM 101: Introduction to Film Studies Analysis & Interpretation of Meaning | FM 200: Topics in Film Genre and History: Media Theory and Cultural Studies | FM 200: Topics in Genre, History, & Theory (taught in Berlin/Istanbul with Ane Steckenbiller; course fee required) Equity & Power: Global | |
| AROM CHOI (All AM) | FM 402: Senior Thesis (Creative) | FM 310: Advanced Topics in Filmmaking: Adapting Literature | FM 302: Advanced Filmmaking | |
| JORDAN LORD | FM 402: Senior Thesis (Creative) | FM 302: Screenwriting Creative Process | FM 102: Basic Filmmaking Creative Process | |
| BLOCK VISITORS | FM 210: Topics in Filmmaking Digital Magic: Animation and VFX Skye Mahaffie | FM 310: Advanced Topics in Filmmaking: Filmmaking on Film Alisha Tejpal (COD; Course Fee) |
FM 300: Film History & Theory Corey Couch |
|
| FM 205 ELECTIVE CROSS-LISTED COURSES | FM 205: Topics in Film and Media Studies: Russian Woman: The Search for Identity in Russian Film Tatiana Nikolskaya (Russian) | FM 205: Topics in Film and Media Studies: Being Seen: Acting and the Camera Monica Sanchez (Theatre & Dance) | ||
| FM 205 ELECTIVE CROSS-LISTED COURSES | FM 205: Topics in Film and Media Studies: Great American Film Comedies George Butte (English) | FM 205: Topics in Film and Media Studies: French Cinema Michael O'Riley (French) |
Report an issue -
Last updated: 08/22/2024